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The 4th New Insights into 16th- and 17th-Century British Architecture
Organised by Dr Claire Gapper and Dr Paula Henderson
The Society of Antiquaries, Burlington House, Piccadilly
Saturday 25 January 2014
 
Masons and the making of buildings
Dr Jenny Alexander: Masons’ Marks versus Signatures in the Early Modern Period
               
Jennifer Alexander and Kathryn Morrison, ‘Apethorpe Hall and the workshop of Thomas Thorpe, mason of King’s Cliffe: a study in
               mason’s marks’, Architectural History, 50 (2007), 59-94.

Dr Gordon Higgott: Designing with Full-scale Models: Wren and His Master Masons at St Paul's Cathedral
               ‘Between design and construction: Wren’s use of full-scale architectural models at St Paul’s Cathedral’, in Alexandre Gady (ed.), “Fort
               docte aux lettres et en l’architecture”: Mélanges en l’honneur de Claude Mignot 
(Paris: Sorbonne Université Presses: 2019), 333-41. 


Re-imagining space
Miranda L. Elston: The Persuasive Interior: Reconstructing the Privy Chamber at Whitehall Palace 
Dr Anne-Françoise Morel: The Ethics and Aesthetics of 17th-century Church Architecture in England
 
Buildings in context
Oliver Jessop: Chatsworth: in Search of the House that Bess Built
Paul Drury: Bloxholm Hall and the Date of the Riding House Range at Bolsover
               
Bolsover Castle (English Heritage Guidebook; 2014, revised edition 2016).

The emergence of classical ornament
Dr Nicholas Riall: The Start of a Major Change or Just a Passing Fad? Thomas Bertie and Italianate Renaissance Ornament in the 1520s
               
‘A Tudor-period tomb and Victorian meddling: the case of Sir Nicholas Lisle’s tomb monument at Thruxton’, Hampshire Studies,
               69, 161-174.
               ‘Thomas Bertie, the master-mason at Winchester cathedral c. 1515–50’, Antiquaries Journal, 95, 1-39.

David Adshead: ‘This Seat of Mars’: Military Trophies in Early British Architectural Decoration
               
David Adshead and Christopher Rowell, 'Seventeenth-century decorative woodwork at Ham House', in Christopher Rowell (ed.), Ham
​               House: 400 years of Collecting and Patronage
(Yale, 2013), 67-83.
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